After
studying rhetoric in class, I found it interesting to look at the use of
rhetoric in a variety of works, including movie reviews. Roger Ebert’s review
of “Finding Nemo” uses several aspects of rhetoric to draw readers in and make
them want to watch it. Most prominently, Ebert uses imagery, diction, and details
to give the movie a positive review.
Ebert
is quite impressed by the visual aspects of the movie and uses vivid imagery to
compliment it. When he says, “The movie takes place almost entirely under the
sea, in the world of colorful tropical fish--the flora and fauna of a shallow
warm-water shelf not far from Australia”(Ebert), he paints a colorful picture
of a lively shallow reef that makes readers want to see what he is talking
about. His use of imagery makes readers curious about the unique possibilities
of an under-sea setting. It makes the audience step back and appreciate the stunning
visual components of the movie that they may not have noticed otherwise.
Ebert’s
diction also helps him make this movie seem as appealing to everyone else as it
is to him. He uses colloquial diction so that his point can be easily
understood by all of his readers. Because he wants readers to focus on how good
the film is, he doesn’t want them to get caught up in difficult language. Ebert
uses abstract words (such as “inspiration,” “invention,” and “dangers”) so that
the readers still have room to imagine what the movie will be like and be
excited to find out. He doesn’t want them to go into the movie already knowing
exactly what everything is like. He also
uses some concrete nouns when describing the people involved in making the
movie. He wants to give credit where credit is due for this movie that he
enjoys so much, so he uses specific nouns when talking about the voice actors,
writers, and directors (he specifically names “William Dafoe,” “Albert Brooks,”
“Andrew Stanton,” and more). His use of colloquial diction with a combination
of abstract and concrete specific words, as well as his diction’s positive
connotation (as seen by the use of words such as “beauty,” “pleasures,” and
cheerful”) help Ebert write a strong review that makes readers want to watch “Finding
Nemo.”
When
writing a movie review, it is important to add enough details so that the
reader has a general idea of what the movie is about, but not so many as to rob
the audience of the ability to think about the movie for themselves and imagine
what it is going to be like. Ebert does a good job of including just enough
detail to get readers hooked. He adds details about the tropical reef setting,
but he doesn’t bore readers with individual descriptions of what every fish
looks like. He lets reader see that for themselves. He stays focused in his
summary, and doesn’t get too caught up in minute details. However, he makes
sure to include the endearing qualities about each of the characters- for
example he mentions that Merlin worries so much about Nemo because he is all he
has left (Ebert), making us feel bad for him and thus fall in love with him for
his brave efforts. Ebert’s use of the right amount of details and his inclusion
of details about the endearing qualities of the characters help his audience
see his point of view and get excited about the movie he is reviewing.
Ebert
has done a nice job incorporating the aspects of rhetoric into his writing in a
way that makes his point stronger. He uses vivid imagery, intriguing colloquial
diction, and focuses on endearing details to make the movie seem more
appealing, and get readers to agree with his positive opinion of the movie.
Oops I forgot to add the link:
ReplyDeletehttp://www.rogerebert.com/reviews/finding-nemo-2003
Sydney,
ReplyDeleteYour particular comments on the use of imagery by Elbert made the most sense to me. For this movie, the imagery is extremely important in describing the animation, an aspect of the film that is truly amazing. Adults can at least appreciate how well done the animation is and the author focuses on how that draws in the audience.
The imagery Elbert used also drew on the understanding the general population has of the sea. The reader can picture the reef he describes without being a marine biologist. This appeals to more masses, as it should as a popular culture review.
The line: “a color and form that makes it one of those rare movies where I wanted to sit in the front row and let the images wash out to the edges of my field of vision” acts to describe the experience rather that the movie, but it is one of the most persuasive lines. Everyone has seen a movie where they wanted to be in it, and this imagery describes that experience so people can relate.
Do you think that the uses of the rhetoric are only successful if the audience can relate to them or connect them?
I like the choice to analyze a movie review.
ReplyDeleteIt's kind of cool to see imagery being used to describe and praise imagery in a different medium. This is kind of like close reading-ception. Close reading being used to analyze a writing that is reviewing film. I feel like the imagery is a huge part of the film and it's important that Ebert touches on it, so him using imagery to highlight this important aspect of the film is affirming.
Did Ebert's review make you want to watch Finding Nemo?